A Motley Crew

Any news article that sites Marshall McLuhan, Hannah Montana, and superdelegates catches my attention. So, for you reading pleasure, I offer you Andrew Foster Altschul's "Of Sharks in the Water, Superdelegates, and Hannah Montana's Breasts."

Intentional Fallacy

Here's our completed video, Intentional Fallacy. It was a collaborative piece that Melinda, Sean, Kristine, Jenn Figg and myself all worked on together. I think that, for being the first film most of us had worked on, it turned out pretty nicely. We shot it completely in still images, and then animated them together to get the final product. It was a great learning process.



Here's a brief summary of the film:

Intentional Fallacy is a film that questions the notions of authorial intent. Created with more than 2,500 still images and hand-drawn animation, the film follows a young man experiencing an existential crisis. Mistakenly assuming his sketch pad is a reliable guide, the young man loops through time to find his true reality.

Photoshop Disasters

You've probably already seen this, but I've spent a good hour or so perusing the site when I should be working on papers instead. So goes life, right? I call it research on what not to do. Like make mutant third hands. Or fourth or fifth ones.
Photoshop Disasters

What do Pictures Want? What do People Want?

What do pictures want is a question we've all been asking (and reading about) in our coursework here. How does the question change, however, when we are asking it about pictures of military indencency: photos of others being mentally and phsycialy abused and humilated. You've all seen the pictures. Now Errol Morris is coming out with a movie that looks like it is going to take an approach that is thoughtful and, dare I say it, illuminating, on a topic that's already been covered in numerous other mediums, some good, some bad, and some just sort of inbetween.
If you want to check out the website for the movie Standing Operating Procedure, click here.
From the apple trailer website:

Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed America’s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few “bad apples”? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in the photographs. Who are these people? What were they thinking? Over two years of investigation, we amassed a million and a half words of interview transcript, thousands of pages of unredacted reports, and hundreds of photographs. The story of Abu Ghraib is still shrouded in moral ambiguity, but it is clear what happened there. The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further. In recent news reports, we have learned about the destruction of the Abu Zubaydah interrogation tapes. A coverup. It has been front page news. But the coverup at Abu Ghraib involved thousands of prisoners and hundreds of soldiers. We are still learning about the extent of it. Many journalists have asked about “the smoking gun” of Abu Ghraib. It is the wrong question. As Philip Gourevitch has commented, Abu Ghraib is the smoking gun. The underlying question that we still have not resolved, four years after the scandal: how could American values become so compromised that Abu Ghraib—and the subsequent coverup—could happen?

Sometimes, even I don't know what to say.

Chopstick Canoe

Here's a man who saw a problem and said, "Hey, I gotta fix that problem." He saw that lots of chopsticks were being thrown out, and, like any normal person would, decided to make a canoe out of them.